It’s simple math. Excellent mixing + excellent equipment = superb sound. That’s what I’ll bring to your production, event, or shoot.


ABOUT ME

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I’m a San Francisco Bay Area based production sound mixer and sound designer. Over the past two years I have grown both my kit and my experience through many productions both large and small. From television episodes to student shorts, I have had experiences that prepare me for nearly every shoot.

I received my associates degree in Communications from De Anza college this past year and am now diving deep into the sound world. Although my past two years have been incredible, I look forward to making my future solely about production sound.

From the time I was a young filmmaker, sound was aways something that intrigued me and I always made sure to upgrade my sound kit before my cameras. I knew the importance of sound then and know it even more now. I know I’m still young, but I’m driven and have the passion to make this my life goal. I’m extremely serious about my profession.

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EQUIPMENT

My sound kit is adaptable for multiple types of productions. Let me know how I can best suit your needs.

*More available upon request
**Additional cables (for RED, AELXA Mini, etc.) must be requested 3-days prior to shoot

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Recorders/Mixers

Zoom F8n: 8-input/10-track mixer/recorder with timecode and mixing board (bag or cart)
Zoom H6: 6-input/6-track recorder

Microphones

Sennheiser MKH-416 – industry-standard exterior shotgun
Audio Technica AT4053b – excellent quality indoor hypercardioid
Shure SM57 – legendary sound effects mic
(4) Sanken COS-11D Lavaliers – exceptional lavaliers for all dialogue
(2) Sennheiser ME-2
(2) RØDE Lavalier
RØDE Reporter with extended handle
RØDE VideoMic Pro+

Wireless Systems

(2) Zaxcom TRXLA3.5 – incredible wireless system with local recording/ timecode
(1) Zaxcom QRX200 – highest quality receiver with timecode and very long range
(2) Sennheiser EW 112P G4-A
(2) RØDELink Filmmaker/Newshooter Kit
(2) COMTEK IFB/Camera Hops*

Timecode

Denecke TS-3 Timecode Slate
(2) Tentacle Sync Timecode Generator**

Additional Gear

K-Tek 12.8’ boompole with Internal Coiled Cable
RØDE 10’ with internal coiled cable and 7’ boompole
RØDE Blimp
Rycote Softies
Viviana Transmitter Belts – Waist variations – Nude color
NeoPax Transmitter Belts – Waist and Thigh – Nude color

POST PRODUCTION SOUND/MUSIC COMPOSITION

Apple Macbook Pro
Windows 10 Workstation PC
Logic Pro X
Adobe Audition
Avid Sibelius
DaVinci Resolve
Avid Artist Mix Control Surface with Motorized Faders

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CLIENTS & CREDITS

CREDITS

2019: Access Health (Season 6 Episode 3) – San Jose Unit Production Sound Mixer — Lifetime TV/Big Shooter Productions
2019: Appetite – Boom Operator – Christian Osagiede
2019: Molly. – Sound Designer – The BBQ
2018: The Playground at Night – Production Sound Mixer - People People Media
2018: SELF I.E. – Production Sound Mixer – SonCity Media
2018: Doubting Thomas – Production Sound Mixer – Cassidy Kamada
2018: Commercial – Production Sound Mixer – Epson Printers
2017: Synesthesia – Sound Designer – Tiny Whale Productions
2016: Ventriloquist – Sound Editor – Hannah Wolfe
2016: Calling Lisa – Boom Operator – Carl Raymond Hansen

Additional filmmaking credits on IMDb

CLIENTS

Lifetime Television
Access Health TV
Big Shooter Productions
Epson Printers
The BBQ
People People Media
SonCity Media
Tiny Whale Productions

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REEL & RATES

My rates are industry standard. However, I know filmmaking is expensive. Work with me and I’ll work with you on getting you the best sound at the best rate.